For more info contact:

Dale Miller
Stage Manager & Monitor Tech
Cell: 484-515-4669
Home: 610-377-0446
E-mail: paudio@ptd.net

Main FOH Speaker System: 

• (12) Clair Brothers i-212 Line Array Enclosures 
• (8) Clair Brothers CS-18

Frontfills: 

• (4) Clair Brothers RC-80

Under Balcony & Fills: 

• (12)  JBL MS-28

FOH Amps & Processor:

• Crown CT & QSC PL-3 Series 
• Dolby Lake Processor (L & R i-212)
• BSS Soundweb (Sub, F.F. & under balcony)

FOH Console: 

• (1) Yamaha PM-3500 / 48+4 Ch.

FOH Electronics: 

• (2) Klark Teknik DN-360 EQ (L+R, Sub, & Frontfill)
• (1) Lexicon PCM-91 Reverb 
• (2) Yamaha SPX-990 Multi-Effect
• (1) TC Electronics D-Two Delay 
• (1) DBX 160A Compressor 
• (6) Drawmer DL-241 (2 Ch. Compressors) 
• (4) Drawmer DS-201 (2 Ch. Gates) 
• (1) Denon DN-T625 CD/Tape Deck
• (1) Clear Com Power Supply

Monitor Console: 

• (1) Yamaha PM-3500 / 48 Ch. x 16 Mixes

Monitor Electronics:

• (6) Ashley GOX-3102 (Dual 31 Band EQ) 
• (1) Yamaha SPX-990 Multi-Effect 
• (1) Alesis Midiverb 2 Multi-Effect 
• (2) Behringer Multicom Pro (4 Channel Compressor) 
• (1) Behringer Autocom Pro (2 Channel Compressor) 
• (1) Behringer Multigate (4 Channel Gate)

Monitors & Sidefills: 

• (13) Clair Brothers Wedge (12 AM) 
• (2) Clair Brothers HL-115 (Sidefills) 
• (2) QSC. 18" Powered Sub's 

Monitor Amps: 

• Crown CT Series with IQ Cards (11 Mixes total including Sidefills)

Microphones & DI's: 

• Audix-D6
• (10) Shure SM-58 
• (10) Shure SM-57 
• (4) Shure SM-81 
• (2) Shure Beta 58A 
• (2) Shure Beta 52 
• (1) Shure Beta 91 
• (4) Sennheiser e-609 
• (4) Audio Technica AE-3000
• (4) AKG C-418 
• (6) Channels of Audio Technica 3000 Series Wireless (2) Handheld & (6) Headsets
• (6) Behringer D-100 DI's 
• (8) DOD Passive DI's 
• (6) Radial Passive DI. 
• (6) Sennheiser e-604

Mic Stands: 

• (12) Tall Tripod Booms
• (2) H.D. Tall Booms 
• (6) Medium Round Base Booms
• (6) Medium Tripod Booms 
• (2) Short Round Base Booms 
• (6) Round Base Straits 
• (2) Short Desk Stands 
• (4) Shure A-56D Drum Claws

Penn's Peak House Electrical and Lighting

• Truss Diagram

Electrical Stage Feeds

• Sound - 400 Amp, 3 Phase, 4 Wire 208Y/120 Volt, Cam Lock fed from the isolation transformer to upstage left wall.
• Lighting #1 - 400 Amp, 3 Phase, 4 Wire 208Y/120 Volt, Cam Lock at upstage center wall.
• Lighting #2 - 400 Amp, 3 Phase, 4 Wire 208Y/120 Volt open lug tie in located back stage dimming room with access to stage.
• Stage Receptacles - (15) 20 Amp dedicated duplex receptacles fed from the isolation transformer.

Lighting (also, see latest stage lighting plot for house configuration)

• Upstage - 60K of PAR 64 Can's on motorized 40' - 26" x 30" PRT.
• Midstage - 18K of PAR 64 Can's on motorized 40' - 26" x 15" Truss.
• Downstage - 40K of PAR 64 Can's on motorized 32' - 26" x 30" PRT.
• (4) Martin MAC 550 On (MS).
• (4) Martin MAC 700 Wash (MS)
• (5) 19 Degree Source four Leko's (5) (DS) and (1) (MS)
• (4) 26 Degree Source four Leko's (5) (DS)
• (2) Tomas eight light audience blinders (MS)
• (3) Bars of PAR 46 ACL's (US)

Dimming

• (86) 2.4K Dimming Channels (DMX)
• (72) 1.2K Dimming Channels (DMX)
• (12) 2.4k Dimming Channels (DMX)- (For Floor Specks)

Communications

• (3) DMX line from FOH to dimming room and (US) wall DMX Amplifier/Splitter.
• (1) DMX line from FOH and daisy chained to each truss.
• Clear-Com to spot operators which can be linked to stage and FOH Sound.

Desk

• (1) 2004 AVO Pearl

Spots

• (2) Lancer 2500, Spot Lights

Miscellaneous

• (1) 40' Back drop pipe hung on upstage rail of stage truss.
• House lights controlled from FOH desk location as well as backstage left stage entrance.
• Video sourced from FOH or stage to (2) Video screens and (8) 42" Flat screens.
• (3) Remote controlled cameras with mixing at FOH.